Shooting production stills and BTS for ‘Shah’

_S811755A few months before the scheduled release of Shah on 14th August, 2015, I received a call from Farhan Ali, an old musician friend and an amazing bassist. He was also moonlighting as Shah’s production manager and wanted me to shoot production stills and BTS (behind the scenes) for the movie. Having shot a historic boxing ground (Kakri Ground) in Lyari in 2014, and photographing for a story for Esquire (Link to storythis year on Mixed Martial Arts, I was very interested. In the sport, and the movie.

I had already seen the promising trailer of Shah and had a good idea about the movie. I have to admit that I wasn’t too excited about shooting during Ramazan, since I would have to be there, every day, from 4pm to sehri. But seeing the entire Shah crew working endlessly 24/7 changed my mind. Adnan as producer, director, writer and lead actor was phenomenal! His team would shoot into the morning, sleep on the sets, and then start again.

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As the video crew shot the film, I sneaked in behind and along their cameras for their stills. I’d study their monitors to get an idea of their targeted shooting areas to avoid spoiling the filming.

Despite being among the team for a very short time, it was amazing to be a part of such an amazing and meaningful project. I have to say that the team worked really hard and hope the audience likes what they see! No disrespect to other film makers, but for me, such movies are the true revival of Pakistani cinema!!

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Shah is a biopic of Olympian boxer Hussain Shah, who hailed from Lyari, Karachi and was the only Pakistani to win a medal at 1988 Summer Olympics in Seoul, South Korea. Earlier, he won Asian boxing championship for five consecutive years. He was credited as the best Asian boxer in 80s. The government of Pakistan awarded him Sitara-i-Imtiaz medal in 1989 and announced reward of rupees 20,000 before on his retirement. On his protest, he was assured to be allotted two 60 yards plots, but only on papers. The Olympic winner Hussain Shah suffered financial crisis until he was called by authorities in Japan to train their boxers.


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Cash cows: Pakistan’s ‘white revolution’ is going astray’ (Herald Dawn May 2015)

11270198_10155510246700405_8138868124255633025_oProud to announce that I wrote one of the cover stories for Herald this May 2015…
The story discusses in great detail, the evolution of the dairy industry in Pakistan… It is one of the most well-researched and difficult pieces I have ever written! I was also able to travel all across Punjab! I met a lot of cattle, buffaloes and farmers on the way!
I am highly thankful to the editorial team for printing the article, along with my photos…
While the story looks at the history briefly, it also highlights a multitude of concerns, which affect the consumers deeply…
A lot of people have asked me to email them the article. I can only say that if you can watch a two hour movie and pay 600 rupees, you could buy a magazine for 150 PKR too, and read not just my article, but tons of other articles!
So kindly purchase a copy before the book-stores run out of stock…

You can read the excerpt here: http://herald.dawn.com/news/1153053/cash-cows

I bugged a lot of people for this story… thank you! you know who you are!

The umbrella is our moment of self-denial…

We accept that its raining, yet we try to reject the possibility of getting wet…

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Like life itself, we seek to accept the impossibility of what we want, and reject the possibility of what lies outside…

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Some of us wish that emotions too should’ve had an umbrella to repel unwanted external emotions, and the people that come with it!
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How I’d love to ‘umbrella’ the hate that you shower on me, and how I’d love to take you under the umbrella and walk through the storms of our life!”
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– Saad Sarfraz / ‘Barishoun mein bina chatri ke likhey huwey kuch alfaaz’

#pakistan #rain #umbrella #weather

Exodus

Ten Hindu families are said to migrate every year from Pakistan to India. But what of the poor Pakistani Hindus who don’t have the means to escape? Saad Sarfraz Sheikh attends a poignant Holi ceremony in one of the last living temples in Pakistan

Holika_19_resizePandit Bhagat Lal Khokar shivers as he tightly clutches his little sack of timber and carefully siphons kerosene. He squats on the dark courtyard and prepares a large bonfire for Holika, the night before Holi. Amid the struggle, the old man informs me, “Bonfires purify the air of evil spirits.”
Loh’s Lahore has hosted Panditjee’s family for six generations. Priesthood is inherited, and today, Bhagat Lal Khokhar is the pandit of the Valmik Mandir situated in Old Anarkali. His generation may be the last one here, as his children find solace in regular jobs and not temple duties. Living in a land obsessed with Islam, he’s had to run the temple and his house without any government support by doing odd roadside jobs.
Hindus whispering in the temple are distracted by the sight and sound of Bhagat striking a match against the ancient brick floor. As the fire towers high, we follow him into the temple.
The main room of the dimly lit temple is preserved for the worship of Baba Guru Valmik Swami (Valmiki), the supreme ‘Untouchable’ deity, and the author of the Ramayana. The other houses a prayer room with mini statues and posters.
Excited Hindu children worship the statue amid squeals of innocent cheer and laughter. Once done prostrating, they crawl and rest against the wall. Anu, a 6-year old, starts reciting a naat she said she heard at school. The pandit’s wife rushes in and silences her, warning her of dire consequences and unforgivable punishment if the Maharaaj (Panditjee) finds out. But the maharaaj is busy, immersed in praying and blessing everyone.

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As the pooja ends, we exit the room and surround the bonfire. All ears turn towards Panditjee as he explains the origin of Holi. His frail hands tremble in the evening breeze as he tells the story of Holika and Prahalad.

According to Ratnaval, a 7th century Hindu drama, Holika was a female demon and the sister of Hiranyakashyap, the demon king. Hiranyakashyap considered himself ruler of the Universe, and higher than all the gods.
The demon king hated his son Prahalad because he was a faithful devotee of Lord Vishnu. One day the king asked him, “Who is the greatest, God or I?” “God is,” said the son, “you are only a king.” The king was furious and decided to murder his son. But the king’s attempts at murder went in vain. Prahalad survived being trampled by elephants, being thrown over a cliff, bitten by snakes, and attacked by soldiers.
Hiranyakashyap consulted his demon sister, Holika, for help in killing Prahalad. Holika made Prahalad sit in her lap as she settled in the middle of a fire. Holika’s magical robe made her immune to fire, so she thought Prahalad would burn to death while she remained safe. But because Holika was indulging in evil, the divine powers made a fierce wind blow across the land, blowing both Pralahad and the magical robe away. Holika’s immunity vanished and she was burned to ashes. Prahalad stayed true to his God Vishnu, who had protected him, and survived.
Later, Vishnu killed King Hiranyakashyap, and Prahalad ruled as a wise king in his father’s palace. To celebrate this story, Hindus ignite large bonfires a day before Holi, often burning a dummy of Holika. The story established the moral that good always wins over evil, and those who seek to torment the faithful will be destroyed.
That moral now seems as remote as the 7th century itself. Today, evil wins over good and the faithful are destroyed and tormented.
How is it that the minorities of Pakistan, despite being promised equal rights by the founding father, continue to be reviled and tortured in the name of faith? Pandit Bhagat Lal Khokar’s face reflects the sad reality and screams a thousand stories of discrimination and regret.
Holika_6_resizeHe remembers a painful childhood filled with stories of how Muslim traders in his neighbourhood always fussed about sharing utensils with his family, yet never minding the money they gave them.
Almost every Hindu at the temple has a similar story of persecution to tell. To avoid dampening our spirits, Pandit Bhagat Lal resumes the rituals and starts running around the towering fire, singing Vedic chants and screaming ‘Holika’, his people following him in unison.
As Muslims, we elevate Arabic, an alien language, to unattainable heights of reverence. And yet witnessing the ancient Vedic texts of our land come to life in this way also stirs up emotions. The majority of Muslims in Pakistan are Muslims by birth, not by choice. Most of our ancestors were Hindus. Can it be so easy to kill the Hindu inside you?
How do I explain this feeling to Pandit Bhagat Lal Khokar?
It is only when a trusted mutual friend refers me to him that Panditjee agrees to meet me. While the temple is nestled in Anarkali, one of Lahore’s most densely populated places, it is difficult to find. When I ask the Muslim shopkeepers for directions to the temple, they misguide me. Some want to know the reason for my ‘visit’. When I inform them of my intention to photograph the temple and interview Hindus over there, they recommend me not to “waste my time”. A call to the Panditjee reveals that the entrance is in a passageway, once called the Valmiki Street, neatly camouflaged behind a cart selling old clothes.
The Valmiki Mandir lacks the common statues found in most Hindu temples, and December 7, 1992, a day after the Babri Mosque was “martyred”, explains everything.
On that fateful day, Bhagat Lal Khokhar and other Hindus prepared for the worst at the temple.
The ancient temple was attacked by men with sticks and hammers. Valmik’s jewel-encrusted pre-Partition statue, built by a student of Punjab University, was destroyed. A white marble statue of Krishna was also destroyed. Surprisingly, no Hindus were harmed. The temple collapsed within minutes and the entire structure was set on fire.
Bhagat Lal Khokhar hid for fear of his life and many assumed that he had fled to India. Six months later, he reopened the temple and resumed his duties amid the rubble.

Holika_3_resizeThe authorities were kind enough to allot them money for reconstruction. The remaining money came from members of the community. A part of a wall from the original construction as a reminder of what had happened has been preserved. A new Valmiki statue has replaced the original, whereas framed pictures continue to represent the idol of Krishna.
Panditjee is reluctant to talk about “forced conversions”, but sums it up by saying that they’ve been taking place ever since Muhammad Bin Qasim and his men brought “Islam” upon the people of this land.
A Human Rights Commission of Pakistan (HRCP) report from 2010 informs us that at least 25 Hindu girls are abducted and converted by force in Pakistan every month. According to the report, the percentage of Hindus in Pakistan has dropped from 16 percent in 1947 (after Partition and the exodus of non-Muslims) to 2 percent in 2010. Yet three million Hindus continue to be the largest religious minority in Pakistan. The report states how in 1947, there were 428 functioning temples in the country, and now there are only 26. According to Indian sources, around ten rich Hindu families migrate from Pakistan to India every month. But for poorer Hindus like Bhagat Lal Khokar, escaping reality seems like a distant dream.

Saad Sarfraz Sheikh studies Global Journalism at the University of Sheffield and can be reached at saadsarfrazsheikh@gmail.com

Published in The Friday Times http://www.thefridaytimes.com/beta3/tft/article.php?issue=20120406&page=16